Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Artwork (Random)
    • Artwork (New to Old)
    • Galleries
      • Digital
      • Mixed Media
      • Paintings
      • Installations
        • Murder
        • The Woods, Breathing
        • The Woods, Breathing (Texts)
      • Photographs
        • The Trees
        • Shotover
        • Pillars of Snow
        • Places
        • Textures
        • Walk to work
        • Creatures
      • Photographic Installations
        • St. Giles Fair 1908
        • Cornmarket 1907
        • Headington Hill 1903
        • Queen Street 1897
        • Snow (details)
        • The Wall
      • Stitched Work
        • ‘Missded’ Tokens
        • ‘Missded’ 1 – Tokens
        • ‘Missded’ 2 – Tokens
        • ‘Missded’ 3 – Tokens
      • Miscellaneous
        • Remembered Visit to Birkenau
        • Somewhere Between Writing and Trees
        • Tracks
        • Portfolio
        • Posters for Exhibitions
        • T (Crosses)
        • Backdrops
        • Correspondence (details)
    • New Work (Blogs)
      • The Leaves Are Singing Still
      • Walking Meditations
      • Lists
  • Video
  • Photography
  • Music
  • Illustration
  • Blog
  • Exhibitions
    • A Line Drawn in Water
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
    • Mine the Mountain 2
    • The Woods, Breathing
    • Snow
    • Echo
    • Murder
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
    • M8
    • Umbilical Light
    • The Gate
    • Creatures
    • Residue
    • A visit to Auschwitz
  • Family History
  • Me

Redshift

October 20, 2013 by Nicholas Hedges

Anyone who has stood on the edge of the Lochnagar crater at La Boiselle in France, cannot help but be overawed by its vast size. The result of a huge mine, detonated below ground at 7:28am on 1st July 1916 (the first day of the Battle of the Somme), the crater is almost 300 feet in diameter and 70 feet deep.

“The whole earth heaved and flashed, a tremendous and magnificent column rose up in the sky. There was an ear-splitting roar drowning all the guns, flinging the machine sideways in the repercussing air. The earth column rose higher and higher to almost 4,000 feet. There it hung, or seemed to hang, for a moment in the air, like the silhouette of some great cypress tree, then fell away in a widening cone of dust and debris.” The words of 2nd Lieutenant C.A. Lewis of No. 3 Squadron RFC who witnessed the blast.

The image and video clip below shows a similar explosion, which took place a few minutes earlier at Hawthorn Redoubt, also on The Somme.

The obvious thing missing from this clip is the sound. Standing on the edge of the Lochnagar crater, one is aware of the noise this blast must have made – a sound so loud, it was said to have been heard in London. It’s almost as if the crater itself is an echo; one made from the mud of The Somme.

Thinking more on this, I had in my mind’s eye an image of the past receding – a past moving away from us here in the present-day. I thought about sound and how, as it moves away, its pitch shifts due to the fact its wavelength stretches (what’s known as the Doppler effect). I thought then about light, how as it moves away, its wavelength stretches and shifts towards the red end of the spectrum. It’s through this redshift that scientists can deduce how far away an object (such as a star) is from the Earth and how fast it is travelling. Redshift is often used as a way of explaining the Big Bang. If you imagine the Big Bang (or indeed any explosion), you can easily visualise how everything emanating from within it would move away from its centre. Everything we see in space today is a result of that first explosion. As a result, everything is moving away – something we can see in the redshift of distant galaxies.

As we move away from the catastrophic events of World War I, and as we approach its centenary, the craters and shell-holes that pockmark the old Western Front, become – like the trenches – filled with earth. They become grown over with grass, flowers and trees; and this gradual retreat towards the natural world is, I think, a kind of redshift in the landscape.

I want to explore this idea and to think more about an audio piece I’ve been working on: a recording of my mum and aunts singing Where Have All The Flowers Gone in 1962.

Filed Under: Trees, World War I Tagged With: Doppler Effect, Redshift, Shells, Stars, World War I, WWI

Goethean Observation of a Fosslised Shell

August 3, 2013 by Nicholas Hedges

Shells
Fossilised shell (right)

Part 1

The object is a lump of soft grey rock. It is irregular in its appearance except for a small part about 1cm square, which is extremely regular in its form. The piece of rock is heavy and feels quite dense and sits comfortably in the palm of my hand. If I scratch the surface with my finger nail a mark is left behind. The texture of the piece of rock is rough but at the same time its softness makes it feel quite smooth to the touch. Part of its surface is smoother than that on the other side and it is on this side I can see the regular pattern of lines and a couple of other circular imprints. This smooth part of the rock feels softer than that on the outside – indeed there seems to be a distinction between an outside and an inside. The inside is defined in some respects by what looks like a cut. The ridge is about a centimetre deep and is irregular in shape, although it seems, compared with the other side, more regular.

The very distinguishable pattern is a shell. I can see the ridges running from its outer edge at the top to the bottom. There also seems to be a dark patch running from one side to the other about a third of the way down from the top. There is a distinguishable bulge at the bottom of the shell where all the lines meet.

The rock feels cool but not cold (as I write my observations outside in the garden, a breeze is blowing, turning the pages and agitating the protective wrappings in which I keep the rock). Looking carefully at the surface of the rock, on what I have called its outside, I can see small patches of grey which unlike the rather dull complexion of the rock are quite shiny, reflecting the light of the evening. The rock seems encrusted with crumbs of rock which it seems I could easily rub off with my thumb.

The rock has about nine surfaces or faces including the ridge mentioned earlier and the face on which you can find the form of the shell. Whereas the crumbs of rock and the lines, imprints and grey shining patches seem an integral part of the rock; the shell-like form seems (although it is made of the same thing) separate somehow. It is both the rock and something entirely different.

As the wind blows a little, everything moves it seems, save for the rock (and the table on which it is resting). It feels in my hand extremely fragile, as if should I drop it, it would break apart. Certainly I feel as if I could break pieces off with my bare hands.

Although to the eye there are faces of the rock which seem rough and those which seem much smoother, it feels nonetheless as I hold it in my hand the same texture all over. It has in some respects the look of a piece of bone (like a hip joint) or a worked piece of stone – an ancient tool for example.
As I write I can hear the odd shout in the street.

Part 2

The piece of rock is a fossil found in a large piece of rock next to cliffs at Charmouth. The rock is dated to around 195 million years old. The whole of this piece of rock has therefore been part of an inside for a period of time that is unimaginable in my human brain. It was once part of the cliff and therefore one can imagine that it would have been under a great weight. Of course the piece of rock only became a piece of rock because the cliff face eroded. Then part of the face collapsed, a smaller piece was broken open and inside the shell was revealed. For much of its incredible life span then, it wouldn’t have been a piece but rather a whole. And, therefore, this piece wouldn’t have born the whole weight of the cliff upon its shoulders; this weight would have been distributed throughout the layer of which it was a part.

The shell would, like the rest of the rock, have been covered (surrounded by ‘other rocks’). It is the breaking open of it which gives it a sense of being ‘inside’. Imagining it surrounded by rock, a seamless expanse of rock, one does have a sense of darkness and a sense of weight – immense dark and immense weight. When I found it and broke it open, there was, suddenly the sense of lightness and indeed light, whereupon the pattern of the shell’s form was revealed for the first time in over 195 million years.

The light from the sun in the present day allows me to see the lines – the same sun that would have shined above the sea 195 million years ago.

This sense of an outside and an inside: the inside is hidden from view – invisible, and yet it exists. Looking at a cliff one sees colossal weight, density and reaching my eyes inside, I can picture only darkness. And yet, looking at this rock, one sees a form which is fragile, delicate, regular, light. The cliffs must be full of such tiny shapes – full of fragility; a delicate, lightness of touch. This mirrors the time before the rock was formed, when the shell was a living creature in the seas. One can imagine the light of the sun on the sea, the lightness of the creature – its fragility as it lived. There is a sense of the sea being light (in terms of sunlight and a lack of weight) and yet the sea is also impenetrably dark and heavier than the cliffs which we see today.

(The cliffs are little different then to the sea. They are not static, but are moving, slowly – too slow for our eyes until the second they slide.)

The shell would have been compressed on the sea floor over tens of thousands, hundreds of thousands, millions of years. Its outline, its shape, its ridges and perhaps its surface pattern were fixed as lines of incredible delicacy. The sea levels fell, the rocks shifted: huge, unimaginable forces, acting over vast, incomprehensible spaces of time – and yet this shape and these lines have remained. And all the while these lines have existed – this tiny shape has existed, whole epochs have come and gone – creatures have evolved ; whole species, including the dinosaurs have come and gone; the great mammals and so on. And finally man has evolved too. There is the sense that I’m looking only at the shell rather than the rock of which it is a part.

This lump of ‘unremarkable’ rock, shapeless, rough, grey, ugly, is just as ancient and incredible as the beautiful, perfect shell which is a small part of it.

Part 3

Movement. Frozen.
The individual object which is not a part but a whole.
Air, light, water, colour condensed to make this soft, grey mass.
Delicacy of life translated into the delicacy of the small pattern on the rock’s surface.
(The light fades outside where I write and the shape of the shell begins to dissolve into the rock).
Movement of the shell. Movement of continents.
Movements of creatures, of time on an evolutionary scale. The weight of time which this patten of lines has withstood for 195 million years.
(What can humans withstand as individuals and as a species?)
(Colours begin to face into darkness).

Part 4

Movement returned to the rock from the moment it was found and carried in my hand – carried into the garden this evening.
Movement of that creature, of everything that sank to the seabed, of the water above, whose weight pressed upon it – now becomes/joins with my own movement through time/this world.
The light that allows me to see the lines of the shell – its shape, eyes which would have evolved since that shell was in the sea.
The delicacy of light, of eyes.
Lightness. Weight. Pressure.
Light. Vision.
Lines.

Filed Under: Goethean Observations Tagged With: Fossils, Goethean Observation, Shells

Two Shells

August 2, 2013 by Nicholas Hedges

I found the shell on the left on a beach in Spain last week. The shell on the right (on which I’ve previously written), I found in 195 million year old rock on a beach in Charmouth at New Year.

Filed Under: Uncategorized Tagged With: Fossils, Shells, WW2

Thoughts

May 10, 2012 by Nicholas Hedges

IMG_1029
Fossilised shell, around 195 millions years old

“As physicists have pointed out, it is no accident that we see stars in our sky, for stars are a necessary part of any universe capable of generating us. Again, this does not imply that stars exist in order to make us. It is just that without stars there would be no atoms heavier than lithium in the periodic table, and a chemistry of only three elements is too impoverished to support life. Seeing is the kind of activity that can go on only in the kind of universe where what you see is stars.”
Richard Dawkins

Bartlemas Chapel Excavation
Mediaeval pottery shard

“Only God knows the reason for those changes linked with the mystery of the future: for men there are truths hidden in the depths of time; they come forth only with the help of the ages, just as there are stars so far removed from the earth that their light has not yet reached us.”
Chateaubriand

World War 1 Serviceman
Photograph of World War I serviceman 

“From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being as Sontag says, will touch me like the delayed rays of a star. A sort of umbilical cord links the body of the photographed thing to my gaze – light though impalpable, is here a carnal medium, a skin I share with anyone who has been photographed.”
Roland Barthes

Filed Under: Quotes Tagged With: Fossils, Fragments, Pottery, Quotes, Shells, Stars, Useful Quotes, WWI Postcards

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in