Nicholas Hedges

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Centenary

May 15, 2015 by Nicholas Hedges

100 years ago, on 8th May 1915, my great-great-uncle was killed in the Second Battle of Ypres.


I’ve written before about this photograph and in particular its location; the idea of the garden as a shared space of memory and experience. Recently, in our own garden we had to have an apple tree taken down due to the fact it had been hollowed out by heart-rot and was in danger of toppling over. I asked for the trunk of the tree to be save in one piece, and when I saw it on the ground, I was reminded again of the idea of gardens as described above.

The trunk of the tree resembled a torso missing its head and limbs.


There was something interesting in the way the bark had grown over a length of wire which had been wrapped around the trunk years ago. It called to mind the cascading lengths of barbed wire rolled out in front of the trenches. It also seemed to turn the trunk into a corpse.

At the same time the tree Is symbolic of a lost idyll; that of the garden of childhood memories.

Filed Under: World War I Tagged With: Family History, Family Jones, Gardens, Jonah Rogers, World War I, WW1 Centenary, WWI, WWI Postcards

The First Line?

January 15, 2015 by Nicholas Hedges

Reading Clive James’ Poetry Notebook, I find myself a little better prepared to tackle the task of writing a poem; something I’ve wanted to do since the start of the New Year. I’ve made attempts in the past which I might publish in due course, but reading the Poetry Notebook I see where those attempts were lacking, as well as where, in small parts, they might be deemed to have worked.

What I have tended to do in those past efforts was to allow language to take over, to become a thing in itself; words for the sake of words. Now however, I want those words to work – to convey a specific meaning. In my art, I try and articulate that which is often beyond prose, things which should be well expressed in verse form.

But what will my subject be?

With the centenary of my great great uncle’s death near Ypres (8th May 1915) fast approaching, I thought I would look there for my subject, and remembering his obituary, I read it again and found my first line (the last line of the obituary):

All present standing in silence.

It’s a moving line which, having been isolated from its initial context creates a question. Who – or what – is present and standing in silence? I thought of soldiers standing for roll-call on a Parade ground. I thought of trees… but the language doesn’t allow for their lack of movement; yes they sway in the wind, but they do not leave and return as being present would suggest the ‘all’ have done. The words speak of people who have come together as a specific group. Of course, in its original context, the ‘all’ were the relatives mourning the death of one of their own:

The meeting passed a vote of condolence with the relatives, all present standing in silence.

The all is a family which, in the small church, isn’t all present. Instead there is a raw space which the silence seeks to fill; a physical silence eclipsing the wake of the church as it mines the depths of the family’s grief. Even from a distance of 100 years one can tune-in to that moment; catch as on shortwave radio their internal dialogues. And just as one can hear the “references to the death of Private Rogers” made by several members of the Church, those speeches are made formless as if heard underwater. For us it’s the distance of a century that does it. For the family it’s the distraction of cherished memories whose shapes are knife-sharp and remembered by their bodies.

Filed Under: Poetry, Trees Tagged With: Clive James, Poem, Poetry, Silence, Writing, Written Work, WW1 Centenary, WWI

All Present Standing in Silence

November 21, 2014 by Nicholas Hedges

“On Sunday last, at the close of the evening service, the Society Meeting was held, and references to the death of Private Rogers were made by several members of the Church. Private Rogers’s mother is one of the oldest members of the Church. The meeting passed a vote of condolence with the relatives, all present standing in silence.”

It’s strange to think these words have lain silent for 100 years – hidden like fossil-shells pressed between the pages of a cliff face. Recounting, as the fossil recalls a vanished sea, a contemplative scene of remembrance, the scene now remembers as much itself as it does the fallen soldier.

A few years ago, I happened upon a quote of Rilke’s, paraphrased as part of an exhibition. The ‘depth of time’ it said, was revealed more in human gestures than in archaeological remains or fossilised organisms. The gesture is a ‘fossil of movement’; it is, at the same time, the very mark of the fleeting present and of desire in which our future is formed’

Reading the passage with which I began, I am struck in particular by the last few words: ‘all present standing in silence.’ As I read the words, the quiet gestures of my ancestors 100 years ago are made visible, felt. Like the lines on a fossil-shell – such as that pictured below – recalling in their pattern the vanished seas in which their signified others once lived, so in the words of Jonah Rogers’ obituary, one can hear the faintest echoes of World War I, not the sound of the battlefield, but the speeches and reciprocal silence of those inside the chapel.

But it’s not only their gestures – those inside the chapel – which, as I read the text, I can see and feel. It’s also those of a time before the war; times which like the gestures released by the text, were no doubt remembered by the mourners, recalled by limbs, nerves and twitching muscles as well as the very fabric of the place in which they were standing. Perhaps those who made “references to the death of Private Rogers” were talking about such times.

 


The lines of the shell’s imprint, in the photograph above, were made 195 million years ago, when mankind was beyond even the furthest reaches of improbability. When I read the closing words of my great-great uncle’s obituary, I imagine those gathered inside the church, struggling within the limits of their imaginations, to comprehend that other place which, although certain, exists – within the human mind – beyond the reaches of improbability; death.

This obituary concerns the death of Jonah Rogers (pictured above) and yet all those inside the chapel are now dead; it is now as much about their deaths as his. And reading this text I am aware too of my own fragile existence. When that meeting took place, sometime in the summer of 1915 I did not exist. I too was also well beyond the reaches of improbability. And yet, it is in my imagination that this scene is taking place.

Filed Under: World War I Tagged With: Fossils, Gesture, Jonah Rogers, Obituary, Rilke, Silence, WW1 Centenary, WWI

Exhibition: Remembering We Forget

November 20, 2014 by Nicholas Hedges

Some of my work will be shown at the Sidney Cooper Gallery, Canterbury until 17th December as part of an exhibition entitled: ‘Remembering, We Forget; Poets, Artists and the First World War.’

Filed Under: Paintings Tagged With: Exhibition, Paintings, WW1 Centenary, WWI

Children’s Names

November 11, 2014 by Nicholas Hedges

Today is Armistice Day. A day on which the lists of names arrayed in marble and stone, on plaques and in books are at the forefront of many people’s thoughts. Names left behind, as Rilke so beautifully puts it, ‘as a child leaves off playing with a broken toy’.


It was whilst standing with my children on Remembrance Sunday, holding my son as we watched the laying of the wreathes on the town’s memorial that I thought of those names and how, once, they had indeed belonged to children.

Jonah Rogers was just 22 years old when he was killed near Ypres in 1915. At the end of his obituary there is a moving passage which reads:

“On Sunday last, at the close of the evening service, the Society Meeting was held, and references to the death of Private Rogers were made by several members of the Church. Private Rogers’s mother is one of the oldest members of the Church. The meeting passed a vote of condolence with the relatives, all present standing in silence.”

There is something about that silence which, almost 100 years on, speaks to me about Jonah. It’s as if one can hear the thoughts of his parents and siblings, remembering their son and brother in years passed; not the man dressed in his uniform, sitting on a chair as he poses in a garden for a photograph, but the boy who played in the garden of Tunnel Bank Cottage, Hafodyrynys.

So whilst we remember the names on lists, like Jonah’s on the Menin Gate above, I want to think of two lists that are altogether different, not least because they contain the names of children – of Jonah aged 7 in 1901 and 17 in 1911.

The census from 1901.

The census from 1911.

Filed Under: World War I Tagged With: Family Jones, Jonah Rogers, Silence, World War I, WW1 Centenary, WWI

Jonah Rogers – Newspaper Cutting

September 23, 2014 by Nicholas Hedges

I am grateful to Keith Morgan for the following newspaper cutting recording the death of my great-great-uncle, Private Jonah Rogers in 1915. I have transcribed the story below.

PRIVATE JONAH ROGERS 
(HAFODYRYNYS)

Private Jonah Rogers (1565), 2nd Monmouthshires, whose parents, Mr. and Mrs. George Rogers reside at Fernleigh Vila, Hafodyrynys, was killed in action on May 8th. From the Records Office, Shrewsbury, the official notification of the sad news of Private Rogers’s death has been received by Mr. and Mrs. Rogers. Several of the gallant sons of Hafodyrynys have now given their lives for their King and country. Private Rogers was one of that noble army of young men who prepared for danger; he had been in the 2nd Monmouthshires for three years prior to the war and on the 5th August last, when the mobilisation was ordered, Private Rogers was one of the most ready of the Hafodyrynys lads to answer the call. He was made of the stuff that real soldiers are proud to behold. With him there was no flinching in danger’s hour. His experiences can never be adequately recorded, but it shows his true grit to be able to say that three times he was in hospital in France suffering from sickness and frostbite, and yet did not take the “leave of absence” he might have had. He felt it his duty to be at the post of danger; he was a rare good solider. In the words of a lifelong friend “He was a good lad – one of the best.” When writing home of his life in the trenches – the strain of which sometimes he found very trying – he was always so buoyant in spirit, never complaining, and spoke so cheerfully of coming home again after the war was over. To his parents the sympathy of all goes out.

Private Rogers was born at Hafodyrynys nearly twenty-one years ago. From his childhood days he had attended the Hafodyrynys Congregational Sunday school, and to-day, as for many months past, his name is inscribed upon the “Roll of Honour” – the list of young men who from the little chapel at Hafodyrynys have gone to do what they can in the cause of right and justice. The little chapels and Sunday schools have given some of their brightest young men to the Army and Navy in this crisis, and it is a real pleasure to find young fellows who are used to the luxury of good homes, and who are now enduring hardships as good soldiers, writing to friends and saying, “You know I went for conscience sake.”

Of the “pals” who left Hafodyrynys with Private Rogers, three have written to the gallant lad’s parents offering their deepest sympathy. The parents are truly grateful for their thoughtfulness.

On Sunday last, at the close of the evening service, the Society Meeting was held, and references to the death of Private Rogers were made by several members of the Church. Private Rogers’s mother is one of the oldest members of the Church. The meeting passed a vote of condolence with the relatives, all present standing in silence.

Private Rogers was a finely-built young fellow. He was intelligent, and in the estimation of the Hafodyrynys people he was placed very high. His death is very sincerely lamented.

Filed Under: World War I Tagged With: Jonah Rogers, Silence, World War I, WW1 Centenary, WWI

Fragments – New WWI Work

August 25, 2014 by Nicholas Hedges

Below are a series of images inspired by my collection of World War I postcards (‘Fragments I-VII).

Filed Under: World War I Tagged With: Art, Postcards, World War I, WW1 Centenary, WWI, WWI Postcards

4th August 2014

August 4, 2014 by Nicholas Hedges

“I never saw them again; they were hurried once more, fast as corks on a millstream, without complaint into the bond service of destruction.” Edmund Blunden

Thinking of my post from 28th June 2014, I wonder if ‘A’ was one like them.

Filed Under: World War I Tagged With: WW1 Centenary, WWI

© Nicholas Hedges 2006-20

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