Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Digital
    • Drawing
    • Grids
      • Correspondence
      • The Wall
      • The Tourist
    • Ink on paper
      • Shadow Calligraphy
    • Installation
      • Murder
      • Echo
    • Painting
    • Patterns
    • Mixed Media
    • Photographic installation
      • St. Giles Fair 1908
      • Cornmarket 1907
      • Headington Hill 1903
      • Queen Street 1897
    • Research/Sketches
    • Stitched Work
      • Missded 1
      • Missded 2
      • Missded 3
      • Missded 4
    • Text Work
  • Blogs
    • Family History
    • Goethean Observations
    • Grief
    • Light Slowed But Never Stilled
    • Lists
    • Present Empathy
    • Shadow Calligraphy
    • Trees
    • Time
    • Walking Meditations
  • Video
  • Photography
    • Pillars of Snow
    • Creatures
    • The Trees
    • Snow
    • St. Giles Fair 1908
    • Cornmarket 1907
    • Headington Hill 1903
    • Queen Street 1897
    • Travel
  • Illustration and Design
  • Music
  • Projects
    • Dissonance and Rhyme
    • Design for an Heirloom
    • Backdrops
    • Shadow Calligraphy
  • Exhibitions
    • A Line Drawn in Water
      • Artwork
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
      • Artwork
    • Mine the Mountain 2
      • Artwork
      • The Wall
    • The Woods, Breathing
      • Artwork
    • Snow
      • Artwork
    • Echo
      • Artwork
    • Murder
      • Artwork
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
      • Artwork
      • The Tourist
    • M8
    • The Gate
    • Creatures
      • Artwork
    • Residue
      • Artwork
    • A visit to Auschwitz
      • Artwork
  • Me
    • Artist’s Statement

Fragments and Additions

February 29, 2024 by Nicholas Hedges

I’ve always been interested in the idea of fragments of the past and how, mentally, we add to them in order to create a view of that past. I did some work on this with some patches of fabric following a visit to the Foundling Museum in London (see Patterns Seeping and Patterns Seeping II).

Sometimes I have reversed the process to make fragments of work I have alreadymade. Again, the examples below (‘Missded’) were made in response to a visit I made to the Foundling Museum (see ‘Missded 1‘, ‘Missded 1 Stitched‘, ‘Missded 1 – A Framed Token‘).

Taking this idea, I’ve applied it to the ‘Shadow Calligraphy characters’ I’ve recently painted. I’m not suggesting for one minute the results make for good art, but I like the idea that a remnant of the past (the ‘character’) can be added to, just as when we try and imagine the past, we create the colours and sounds that went with the original fragment.

My choice of inks was extremely limited and these aren’t quite right, but it’s an idea I’ll continue to explore, as I have done with some oil paintings already.

Nana's Mountain

Filed Under: Fragment

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in