Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Digital
    • Drawing
    • Grids
      • Correspondence
      • The Wall
      • The Tourist
    • Ink on paper
      • Shadow Calligraphy
    • Installation
      • Murder
      • Echo
    • Painting
    • Patterns
    • Mixed Media
    • Photographic installation
      • St. Giles Fair 1908
      • Cornmarket 1907
      • Headington Hill 1903
      • Queen Street 1897
    • Research/Sketches
    • Stitched Work
      • Missded 1
      • Missded 2
      • Missded 3
      • Missded 4
    • Text Work
  • Blogs
    • Family History
    • Goethean Observations
    • Grief
    • Light Slowed But Never Stilled
    • Lists
    • Present Empathy
    • Shadow Calligraphy
    • Trees
    • Time
    • Walking Meditations
  • Video
  • Photography
    • Pillars of Snow
    • Creatures
    • The Trees
    • Snow
    • St. Giles Fair 1908
    • Cornmarket 1907
    • Headington Hill 1903
    • Queen Street 1897
    • Travel
  • Illustration and Design
  • Music
  • Projects
    • Dissonance and Rhyme
    • Design for an Heirloom
    • Backdrops
    • Shadow Calligraphy
  • Exhibitions
    • A Line Drawn in Water
      • Artwork
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
      • Artwork
    • Mine the Mountain 2
      • Artwork
      • The Wall
    • The Woods, Breathing
      • Artwork
    • Snow
      • Artwork
    • Echo
      • Artwork
    • Murder
      • Artwork
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
      • Artwork
      • The Tourist
    • M8
    • The Gate
    • Creatures
      • Artwork
    • Residue
      • Artwork
    • A visit to Auschwitz
      • Artwork
  • Me
    • Artist’s Statement

Magdalen Bridge c.1772

June 23, 2010 by Nicholas Hedges

The image below is a drawing of Magdalen Bridge made around 1772 by the German artist John Malchair. Following the passing of the Mileways Act in 1771, Malchair made a number of studies of the old bridge so as to record it for posterity.

With various parts of the mediaeval city threatened because of the Act, Malchair drew a number of views of buildings and structures including the North Gate and Bocardo Prison and Friar Bacon’s study which eventually fell in 1779.

This then is the bridge over which The Gentleman’s Servant crossed with two horses on December 12th 1770.

Filed Under: Oxford, The Gentleman's Servant Tagged With: 18th Century, Gentlemans Servant, John Gwynne, John Malchair, Oxford, Servant, The Gentleman's Servant

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in