Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Digital
    • Drawing
    • Grids
      • Correspondence
      • The Wall
      • The Tourist
    • Ink on paper
      • Shadow Calligraphy
    • Installation
      • Murder
      • Echo
    • Painting
    • Patterns
    • Mixed Media
    • Photographic installation
      • St. Giles Fair 1908
      • Cornmarket 1907
      • Headington Hill 1903
      • Queen Street 1897
    • Research/Sketches
    • Stitched Work
      • Missded 1
      • Missded 2
      • Missded 3
      • Missded 4
    • Text Work
  • Blogs
    • Family History
    • Goethean Observations
    • Grief
    • Light Slowed But Never Stilled
    • Lists
    • Present Empathy
    • Shadow Calligraphy
    • Trees
    • Time
    • Walking Meditations
  • Video
  • Photography
    • Pillars of Snow
    • Creatures
    • The Trees
    • Snow
    • St. Giles Fair 1908
    • Cornmarket 1907
    • Headington Hill 1903
    • Queen Street 1897
    • Travel
  • Illustration and Design
  • Music
  • Projects
    • Dissonance and Rhyme
    • Design for an Heirloom
    • Backdrops
    • Shadow Calligraphy
  • Exhibitions
    • A Line Drawn in Water
      • Artwork
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
      • Artwork
    • Mine the Mountain 2
      • Artwork
      • The Wall
    • The Woods, Breathing
      • Artwork
    • Snow
      • Artwork
    • Echo
      • Artwork
    • Murder
      • Artwork
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
      • Artwork
      • The Tourist
    • M8
    • The Gate
    • Creatures
      • Artwork
    • Residue
      • Artwork
    • A visit to Auschwitz
      • Artwork
  • Me
    • Artist’s Statement

Convict Trail II

September 24, 2010 by Nicholas Hedges

This afternoon I visited the library and found a map of Radley and its surrounds dating from 1811; 17 years before Stephen Hedges stole the lead from Radley Hall. On the map, Radley Hall (or House) is shown, along with a road – or drive – leading up, which, I think, corresponds to the satellite view I posted previously.

First the satellite view again:

And next, the 1811 map:

This map is aligned a little differently, but Radley Hall is circled in yellow and the drive indicated by the yellow arrow corresponds to that shown by the white arrow on the left hand side in the picture above. I’m not sure if the Lodge was located here, but the drive extends from the Oxford Road and would (I assume) have been the route taken by Richard Burgess on his way from Abingdon to Oxford. A little more research will be needed.

Having stolen the lead, I again assume that they would have travelled into the city via the Oxford Road through Bagley Wood, down Hinksey Hill and up the Abingdon Road. Once in the city, they made their way to the castle precincts and turned back up Butcher Row (modern day Queen Street) as indicated by the newspaper report. Of course I cannot be sure that this is how they travelled, but it seems much more likely compared with what I’d thought earlier.

Filed Under: A Line Drawn in Water, Artist in Residence Tagged With: A Line Drawn In Water, Artist in Residence, Australia, Family Hedges, Family History, Hedges, Maps, Stephen Hedges

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in