Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Digital
    • Drawing
    • Grids
      • Correspondence
      • The Wall
      • The Tourist
    • Ink on paper
      • Shadow Calligraphy
    • Installation
      • Murder
      • Echo
    • Painting
    • Patterns
    • Mixed Media
    • Photographic installation
      • St. Giles Fair 1908
      • Cornmarket 1907
      • Headington Hill 1903
      • Queen Street 1897
    • Research/Sketches
    • Stitched Work
      • Missded 1
      • Missded 2
      • Missded 3
      • Missded 4
    • Text Work
  • Blogs
    • Family History
    • Goethean Observations
    • Grief
    • Light Slowed But Never Stilled
    • Lists
    • Present Empathy
    • Shadow Calligraphy
    • Trees
    • Time
    • Walking Meditations
  • Video
  • Photography
    • Pillars of Snow
    • Creatures
    • The Trees
    • Snow
    • St. Giles Fair 1908
    • Cornmarket 1907
    • Headington Hill 1903
    • Queen Street 1897
    • Travel
  • Illustration and Design
  • Music
  • Projects
    • Dissonance and Rhyme
    • Design for an Heirloom
    • Backdrops
    • Shadow Calligraphy
  • Exhibitions
    • A Line Drawn in Water
      • Artwork
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
      • Artwork
    • Mine the Mountain 2
      • Artwork
      • The Wall
    • The Woods, Breathing
      • Artwork
    • Snow
      • Artwork
    • Echo
      • Artwork
    • Murder
      • Artwork
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
      • Artwork
      • The Tourist
    • M8
    • The Gate
    • Creatures
      • Artwork
    • Residue
      • Artwork
    • A visit to Auschwitz
      • Artwork
  • Me
    • Artist’s Statement

Pitchipoi

January 24, 2017 by Nicholas Hedges

I’ve read many books about the Holocaust, but that written by Marceline Loridan-Ivens, But You Did Not Come Back, is one of the most moving; in particular, a passage early on about Pitchipoi.

Other words you said haunted me then. Those  words were more important than anything. You said them at Drancy, when we still didn’t know where we were going. Like everyone else, we said over and over again, ‘We’re going to Pitchipoi,‘ that Yiddish word that stands for an unknown destination and sounds so sweet for children. They would use it when they talked about trains as they set off. ‘They’re going to Pitchipoi,’ they’d said out loud, to reassure themselves.

It’s almost unbearable to read. The idea of children having to reassure themselves, in the light of such terrible uncertainty, with the name of a ‘place’ that ultimately stood for death.

In an old blog entry I quoted Jorge Luis Borges:

“A single moment suffices to unlock the secrets of life, and the key to all secrets is History and only History, that eternal repetition and the beautiful name of horror.”

Pitchipoi is a beautiful name for horror.

Filed Under: Holocaust

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in