Nicholas Hedges

Art, Writing and Research

  • Amazon
  • Behance
  • Facebook
  • Instagram
  • Pinterest
  • YouTube
  • Art
    • Digital
    • Drawing
    • Grids
      • Correspondence
      • The Wall
      • The Tourist
    • Ink on paper
      • Shadow Calligraphy
    • Installation
      • Murder
      • Echo
    • Painting
    • Patterns
    • Mixed Media
    • Photographic installation
      • St. Giles Fair 1908
      • Cornmarket 1907
      • Headington Hill 1903
      • Queen Street 1897
    • Research/Sketches
    • Stitched Work
      • Missded 1
      • Missded 2
      • Missded 3
      • Missded 4
    • Text Work
  • Blogs
    • Family History
    • Goethean Observations
    • Grief
    • Light Slowed But Never Stilled
    • Lists
    • Present Empathy
    • Shadow Calligraphy
    • Trees
    • Time
    • Walking Meditations
  • Video
  • Photography
    • Pillars of Snow
    • Creatures
    • The Trees
    • Snow
    • St. Giles Fair 1908
    • Cornmarket 1907
    • Headington Hill 1903
    • Queen Street 1897
    • Travel
  • Illustration and Design
  • Music
  • Projects
    • Dissonance and Rhyme
    • Design for an Heirloom
    • Backdrops
    • Shadow Calligraphy
  • Exhibitions
    • A Line Drawn in Water
      • Artwork
    • A Line Drawn in Water (Blog)
    • Mine the Mountain 3
      • Artwork
    • Mine the Mountain 2
      • Artwork
      • The Wall
    • The Woods, Breathing
      • Artwork
    • Snow
      • Artwork
    • Echo
      • Artwork
    • Murder
      • Artwork
    • The Tourist
    • Dreamcatcher
    • Mine the Mountain
      • Artwork
      • The Tourist
    • M8
    • The Gate
    • Creatures
      • Artwork
    • Residue
      • Artwork
    • A visit to Auschwitz
      • Artwork
  • Me
    • Artist’s Statement

The Tourist

Through being a tourist in places such as Auschwitz, Bełżec and Majdanek, as well as the battlefield sites of Ypres and Verdun, I have become a tourist in the past, the lives of others, and ultimately myself.

After my visit to Auschwitz, I wanted to turn numbers into people, to find the individuals amongst the 1.1 million largely anonymous dead. And although of course I could never know them by name, I thought I might discover what it really means to be human, to have had a life as well as a death. Too often we see the victims of these places as having always been that – victims; millions of people, whose individuality was erased through genocide and war and who are remembered only as products of the terrible places in which they met their deaths.

map_of_the_artist_A1_nonames

Looking at myself, at what it means that I (that we) exist at all, I have become a tourist in my own life, going on a journey through which I’ve explored the lives and landscapes of my ancestors; anonymous people lost to the past, one of whom, my great-great uncle Jonah Rogers, was killed in Ypres in 1915.

I’ve found myself walking in unfamiliar places; environments which would have been familiar to those of my ancestors who lived there; landscapes which have been as instrumental in my coming-into-being as my ancestors themselves. These places might not be familiar to me but in some strange way, I am familiar to them.

So while this journey has led me into my past and the world of my ancestors, it is within that world, that landscape, that I can find my way back to Auschwitz, Bełżec and Majdanek; to the battlefields of World War One. And although I can never know what it was like to be there, I can begin to understand, through discovering my own past, at least a little more, the lives of those otherwise anonymous people who died there.

© Nicholas Hedges 2024

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Copyright © 2025 · Outreach Pro on Genesis Framework · WordPress · Log in